When working with clay, I don’t have a defined direction. Most of
my work is experimental which means that I don’t stay with one direction
long enough for my work to be identified as my signature. I can start a
project one day, and deviate the next, going in a different course.
The work of my peers inspires me to try other avenues of technique
when working with clay. For example, I may begin creating a sculpture one
day, and the next, I can find myself sitting at my wheel throwing mugs.
Other days can see me fabricating a mold that will allow me to create the
perfect bowl form. Or I may find myself working with my brushes, allowing
my inner self to push the boundaries of the three-dimension form that is
on my workbench in front of me.
I want to gain recognition for my efforts, not necessarily for
monetary gain, but for the satisfaction that I created something that the
public enjoy, and wishes to own. I make art for the joy of filling the
world with objects that I create, and that I feel are beautiful.
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I have
recently started to enjoy making sculpture. My latest project is working with
the Serge Borassa bronze foundry located at St-Robert, Quebec; just out side
of Sorel. I am awaiting my latest series of bronze pieces.
The major difficulty working with bronze sculptures is finding a place in the studio where one can use wax and plaster without contaminating the workspace for clay art..
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